Ladies Of The Night - Les Vampyres

We've raved over a number of movies from Maria Beatty's Bleu Productions in the past and today's review will be no different. Ladies of the Night - Les Vampyres, is another wel-shot fetish flick that truly captures the beauty of women. Beatty's films are not your traditional smut, I wouldn't be surprised to catch one in my local art house. This one is shot in black and white without any dialogue to distract from the beauty of the seduction. Bleu, who is absolutely stunning, plays a young girl who is abducted and taken to a dark mansion. Over the next 30 minutes, Mistress Dakota and Mistress Tchera, both decked out in really hot corsets, play with their new toy. She's teased, tied up and lightly flogged, as the Vamps take in every inch of her. As dawn approaches, the dark ladies finally give in to their desires and drink Bleu's virgin blood.

I really love that this movie is never rushed and no detail is overlooked. The set is perfect and all of the fetish gear is high end. So many movies are in a rush to get to the dirty stuff, and I really appreciate the eroticism of seeing a leather clad fingertip dragged across the stomach of a woman who has surrendered to her wants.

This incredibly erotic film will hold your attention throughout. It's the perfect Halloween date movie - all you need is a bottle of red wine and a blanket to cuddle under. Hot sex to follow.

Be prepared to enter another world. Ladies of the Night (Les Vampyres) is a gem. In the grand Gothic tradition of the silent film, LotN is rendered in lush black-and-white (with the exception of one monochromatic red shot at the finale), and is accompanied by a superb, hauntingly beautiful soundtrack, composed by Nick Holmes and performed in minimalistic splendor by Wildlife 3000.

At twilight, a tow-headed pixie named Bleu, who is dressed in a school-girlish white sailor dress, white knee socks and black patent leather Maryjanes, suspects she is being pursued while walking along a deserted brick road. She drops her books and is suddenly spirited away by an unseen entity, only to find herself in an eerie, candlelit mansion with two mysterious Ladies of the Night. Intertitles supply a minimal amount of narrative information.

The Ladies, delighted with their new pet, proceed to bind her, tease, and seduce her, finally stripping away her dress and undergarments, but thankfully leaving those girly Maryjanes. Later the Kewpie doll is taken to the dungeon where she is flogged, paddled and caned. As dawn approaches, a transformation is in order and, as is customary with vampires, the virginal neophyte enters the ranks of the Ladies of the Night.

Pre-nom for Best Specialty Tape-Other Genre, Best Director for the visionary R. Pettet and Best Cinematography for the four camera operators.

Review from AVN