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Johnny Wadd - Director's Commentary

16 Ratings

Stars:

Jessie St. James,

John Holmes, Lauren Dominique,

Desiree Cousteau,

Seka, Dewey Alexander, Sandy Dempsey, Bob Chinn

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Studio: Bissco Films
Series: Johnny Wadd
Director: Bob Chinn

Approximate Running Time: 02:13:20
Released:1973
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Johnny Wadd - Director's Commentary

It all started with Johnny Wadd, a film shot at a time when pornography was illegal, sex was rampant, and rules were obsolete. Bob Chinn wrote and directed what became a series of legendary detective movies that traced his rise from film student to porn pioneer. In his first feature role, John Holmes enriches the screen with an easy confidence matched by a solid acting ability and jaw dropping prowess.

For the first time since its long nights in smokey theaters, Bob Chinn brings you the original print of Johnny Wadd. In addition to the revolutionary film, Chinn has included a never before seen interview and a must see directors commentary. Bob Chinn. John Holmes. Johnny Wadd.

This is where it all began. This ground-breaking film, lost for a generation, has been painstakingly restored to its original luster! The film was wet-gated and color corrected until the digital rendition was finally approved by the master of 70's porn: Bob Chinn. A golden era film of this quality can only have been brought to you by VCX "Home of the Classics" and Bob Chinn, the director immortalized in the film: "Boogie Nights"

Extras

Writer/director Bob Chinn starts the extras off with a great commentary track that talks about what it was like working in the industry in the era in which the film was made. He talks about where the idea for the tag line came from, how the titles were shot while stuck on a garage door, and about the film's 'original' score. He points out locations and props used and explains where they came from and why they were used, and he talks about casting the film. Also included are the trailers for other classics such as Pizza Girls, Prisoner Of Paradise, Taxi Girls, Tropic Of Desire and Hot Legs the film ends with a John Holmes Still Gallery.